Gaslight at 80, or his and hers realities
Gaslight at 80, or his and hers realities
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1944 signaled a high-water mark for film noir with the release of Double Indemnity. The film codified elements that we now think of as genre tropes: the detective delivering backstory via voiceover, the shadows of Venetian blinds on the wall. But, really, Double Indemnity is Barbara Stanwyck’s film; her Phyllis…
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Source: Gaslight at 80, or his and hers realities (http://ht**://www.avclub.c**/gaslight-at-80-ingrid-bergman-george-cukor-1851455248)
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