Clearpost.online It's your post, so post it!

A few years ago, we featured a $32,000 pair of bonsai scissors here on Open Culture. More recently, their maker Yasuhiro Hiraka appeared in the Business Insider video above, a detailed 80-minute introduction to ten of the most expensive arts and art supplies around the world. It will co*e as no surprise that things Japanese figure in it prominently and more than once. In fact, the video begins in Nara Prefecture, “where for over 450 years, the co*pany Kobaien, has been making some of the world’s most sought-after calligraphy ink” — the sumi you may know from the classical Japanese art form sumi‑e.

But even the most painstakingly produced and expensively acquired ink in the world is no use without  brushes. In search of the finest examples of those, the video’s next segment takes us to another part of Japan, Hiroshima Prefecture, where an artisan named Yoshiyuki Hata runs a workshop dedicated to the “no-co*promise craftsmanship” of calligraphy brushes. One of his top-of-the-line models, made with rigorously hand-selected goat hair, could cost the equivalent of $27,000 — but for an equally unco*promising master calligrapher, money seems to be no object.

However dedicated its craftsmen and practitioners, by no means does the Land of the Rising Sun have a monopoly on expensive art supplies. This video also includes Tyrian purple dye made in Tunisia the old-fashioned way — indeed, the ancient way — by extracting the glands of murex snails; the sơn mài lacquer painting unique to Vietnam that requires toxic tree resin; long-lasting ultra-high-quality oil paints rich with rare pigments like cobalt blue; and Kolinsky’s Series 7 sable watercolor brush, which is made from hairs from the tails of Siberian weasels, and whose process of production has remained the same since it was first created for Queen Victoria in 1866.

This world tour also co*es around to non-traditional art forms and tools. One operation in Ohio turns the muck of industrial pollution — “acid mine drainage,” to get technical — into pigments that can make vivid paints. The stratospheric prices co*manded by certain works of “modern art,” broadly considered, have long inspired satire, but here we get a closer examination of the connection between the nature of the work and the cost of purchasing it. “What looks simple can be the culmination of a lifetime’s work,” one example of which is Kazmir Malevich’s Black Square, “the result of twenty years of simplification and development.” If you don’t know anything about that painting, it will seem to have no value; by the same token, if you don’t know anything about those $32,000 bonsai scissors, you’ll probably use them to open Amazon boxes.

Related content:

What Makes the Art of Bonsai So Expensive?: $1 Million for a Bonsai Tree, and $32,000 for Bonsai Scissors

How Ink is Made: The Process Revealed in a Mouth-Watering Video

Behold a Book of Color Shades Depicted with Feathers (Circa 1915)

Why Renaissance Masters Added Egg Yolk to Their Paints: A New Study Sheds Light

Discover Harvard’s Collection of 2,500 Pigments: Preserving the World’s Rare, Wonderful Colors

Watch Artist Shepard Fairey Pretend to Work in an Art Supply Store

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.